Kenyan comedian and filmmaker Abel Mutua has sparked an important conversation about urban development and infrastructure in Kenya. He argues that building more malls is no longer a wise investment and instead, the country should focus on constructing modern, high-capacity arenas. His perspective raises critical questions about the future of Kenya’s urban landscape and whether we are prioritizing the right developments.
In recent years, malls have sprung up across Kenya, particularly in major cities like Nairobi, Mombasa, and Kisumu. These shopping complexes have transformed urban lifestyles, providing convenient retail, dining, and entertainment options. However, the retail sector is evolving, and with the rise of e-commerce and changing consumer behaviors, traditional malls may not hold the same appeal they once did. Several shopping malls in Nairobi, such as the iconic Westgate and Two Rivers, have faced challenges in maintaining high occupancy rates. The COVID-19 pandemic further highlighted the vulnerability of the mall business model, with foot traffic significantly declining during lockdowns.
Mutua suggests that Kenya should now shift its focus to building indoor arenas that can accommodate at least 20,000 people. His argument is backed by the growing demand for quality event venues, particularly in the creative and entertainment industries. Kenyan comedians, musicians, and other performers struggle to find suitable venues that can host large audiences while meeting international standards. In contrast, Rwanda’s BK Arena has become a prime location for concerts, sports events, and other major gatherings, proving that investing in multipurpose arenas can be both profitable and beneficial to the economy.
The issue of inadequate infrastructure also became apparent when American R&B artist Chris Brown reportedly refused to perform in Kenya due to the lack of a venue that could accommodate his stage setup and high-tech requirements. This revelation should be a wake-up call for Kenyan investors and policymakers. If global artists are turning down Kenya as a performance destination, it means the country is missing out on significant revenue from the entertainment and tourism sectors.
Moreover, an indoor arena offers versatility beyond entertainment. Such facilities can be used for sports tournaments, business expos, conferences, and cultural events. Unlike malls, which primarily cater to consumerism, arenas create opportunities for both economic and artistic growth.
Kenya must adapt to changing times. While malls have served their purpose, the next phase of urban development should focus on multi-use arenas that support the nation’s thriving creative economy and global ambitions.
