Democratic Action Party of Kenya (DAP-K) leader Eugene Wamalwa has strongly condemned the government over what he termed as a deliberate attempt to sabotage Butere Girls’ participation in the ongoing Kenya National Drama and Film Festival. The school’s acclaimed play, Echoes of War, was allegedly targeted due to its politically sensitive themes, prompting a wave of criticism from leaders and citizens alike.
Speaking to NTV on Thursday morning from Nakuru, where the students were scheduled to perform, Wamalwa alleged that security agencies frustrated the girls’ efforts to present their piece, eventually pushing them to boycott the event altogether. “The girls managed to get on stage but were ultimately forced to leave the venue in protest,” he said. Tensions escalated as crowds protesting the move were dispersed with teargas by police officers.
The former Defence Cabinet Secretary revealed that the play’s scriptwriter, former Kakamega Senator Cleophas Malala, was arrested under unclear circumstances. Wamalwa, accompanied by lawyer Ken Echesa, had visited the Nakuru Central Police Station on Wednesday night to check on Malala’s situation, only to learn that he had been transferred to Eldama Ravine. By Thursday morning, the two leaders were en route to seek Malala’s release, emphasizing that he had not been formally charged.
According to Wamalwa, Malala was accused of scripting a play that “portrays the government as evil.” However, Wamalwa challenged the legality of the accusation. “As a lawyer, I’m not aware of any such offence under Kenyan law,” he asserted. He criticized the government for suppressing youth expression, saying, “This is a government afraid of its own children.”
Echoes of War is a powerful narrative addressing contemporary themes such as technology, governance, civil liberties, and the role of youth in national healing. It portrays a post-conflict nation where young people drive the rebuilding process through innovation and digital engagement—resonating strongly with Kenya’s Gen Z.
Wamalwa concluded by claiming the play’s suppression stemmed from fears that it might win and be showcased at the State House gala, thereby spotlighting uncomfortable truths. “It’s not about content; it’s about fear of being exposed,” he said.
